Announcement of Irving Fine Collection on American Memory

From: Elizabeth L. Brown (ebro@loc.gov)
Date: Fri May 11 2001 - 16:52:18 EDT

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    Sender: American Memory Fellows <AMFELLOWS@LISTSERV.LOC.GOV>
    Poster: "Elizabeth L. Brown" <ebro@LOC.GOV>
    Subject: Announcement of Irving Fine Collection on American Memory
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    This announcement is being sent to a number of lists. Please accept our
    apologies for any duplicate postings.

    Irving Fine Collection Now available on American Memory.

    The work of Irving Fine, composer, conductor, writer and academic is now
    represented online as part of the American Memory online collections.
    This first release of materials coincides with the Music Division's
    concert tribute to Fine scheduled this evening at the Coolidge
    Auditorium of the Library of Congress. The Irving Fine collection can be
    found at the following url: <http://memory.loc.gov/ammem/ifhtml/>.

    Called a "remarkable American composer" by noted music lexicographer
    Nicolas Slonimsky, Irving Fine (1914-1962) was included in the so-called
    "American Stravinsky School"' by fellow composer and longtime friend
    Aaron Copland (1900-1990). Fine, whose compositional output was
    influenced by the music of Igor Stravinsky (1882-1971) and Paul
    Hindemith (1895-1963), died prematurely in 1962, thereby cutting short
    one of the most promising careers in twentieth-century American
    classical music.

    Fine's early, neoclassic works include his Music for Piano (1947) and
    Partita for Wind Quintet (1948). His later romantic style is
    represented by the orchestral works Notturno (1951) and Serious Song
    (1955), both often programmed by orchestras to this day. The most
    frequently performed of his choral works are Alice in Wonderland (1942),
    The Hour Glass (1949), and The Choral New Yorker (1944). With the
    completion of his String Quartet in 1952, it appears that Fine was able
    to combine his earlier tonal approach to music writing with the then new
    technique of "serialism," or twelve-tone technique.

    Fine taught music theory and history at Harvard University from 1939 to
    1950 and music theory and composition at Brandeis University from 1950
    to 1962. He also taught composition at the Berkshire Music Festival at
    Tanglewood from 1946 to 1957.

    This first online release of The Irving Fine Collection includes a
    selection of 57 photographs of Irving Fine (many of them with other
    notable musicians at Tanglewood and elsewhere). A special presentation
    consists of manuscript sketches and the score for the String Quartet,
    along with a recorded performance of this work by the Juilliard String
    Quartet. In addition, the site includes a timeline of the composer's
    life as well as the finding aid for the complete collection.

    Irving Fine's career is documented in the Library of Congress Music
    Division by approximately 4,350 items from the Irving Fine
    Collection. These materials were collected by the composer's widow,
    Verna Fine, who maintained a long relationship with the Music Division
    of the Library of Congress to which she donated the materials in stages
    just before and after the composer's death. She tirelessly devoted
    herself to promoting her husband's music until her own death in 2000.

    The collection contains manuscript and printed music, sketchbooks,
    writings, and personal and business correspondence from such
    twentieth-century musical luminaries as Leonard Bernstein (1918-1990),
    Aaron Copland, Lukas Foss (b. 1922), Alberto Ginastera (1916-1983), Ned
    Rorem (b. 1923), and William Schuman (1910-1992). The archival
    collection also contains scrapbooks, programs, clippings, and sound
    recordings.

    Please direct any questions to ndlpcoll@loc.gov .



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